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About Inventory Status
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♫In stock: It is in stock and available to ship or pickup. We can usually ship or have these items available for pickup by the next business day if they don't require inspection, special handling, or setup. Our pickup location is 11151 Veirs Mill Rd. Silver Spring, MD 20902.
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About Item Conditions
Questions? Call or text us at 301-946-8808.
New: The item is brand new as received from the manufacturer with a full manufacturer warranty. Instruments such as guitars, snare drums, drum kits, brass and woodwind instruments may be opened for photography and quality control inspection and may not be in a factory sealed box.
Mint or Open Box: The item may have been opened and tested but has been repackaged. The original packaging may have superficial issues but the item itself and any originally included accessories are in perfect, like new condition.
Display Model: These items are so cool that we put them on display in our legendary shop. The condition is brand new as received from the manufacturer with manufacturer warranty. Rest assured, these items undergo a very careful inspection before shipping.
Demo: These items have been on our sales floor for demo purposes and will likely show signs of use. The original packaging may no longer be included, but you can be assured that you are receiving an awesome item and an awesome price.
Used: The item is used. These item may have varying degrees of wear. Please read the description for information about the condition of the item. Used items do not carry a warranty.
B or C Stock: Factory refurbished. These items were purchased from the manufacturer in a refurbished condition. They will show some cosmetic issues, but nothing that would impact performance. Being that these are sealed from the manufacturer, we generally do not open these to photograph the cosmetic issues. They are guaranteed to work and may have a limited warranty or you may purchase an extended warranty in some cases. Please see the listing description for item specific information.
Add A Heavy Duty Production Machine To Your Arsenal With The Waldorf Kyra VA Synthesizer Module
Kyra is a powerful, hardware virtual analog synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.
From first glance, it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument, it features eight independent parts with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules - namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter - with a dedicated audio stream via USB (Universal Serial Bus).
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are user patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user-programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also, OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.
Get this, though: switching from Wave mode - meaning Kyra adopts a virtual analog synthesis model which has the advantage that it is easy to construct sounds using intuitive subtractive synthesis - to Hypersaw mode configures the voice to use a special algorithm comprising six real oscillators to quickly create lush-sounding soundscapes. Digging deeper, Hypersaw mode replaces Wave mode's two oscillator groups with a single source whose tonal content is constructed with just two adjustable controls - Hypersaw Intensity and Hypersaw Spread (geometric detuning). Built entirely out of multiple, harmonically-rich sawtooth waves or partials.
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra’s FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analog ladder filters with 2-pole (12dB/octave) low pass (12dB LP), bandpass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), bandpass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.
Envelope and LFOs
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low-Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings — are also available in the MOD MATRIX and additionally as a MIDI clock sync source.
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronize to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement the composition. Kyra’s ARP is an integral part of a Patch, so settings are always stored.
Display and Connections
Far from forgetting its helpful high-resolution 256x64 pixel graphic OLED (Organic Light-Emitting Diode) display alongside the traditional array of MIDI In, Out, and Thru connections - complimenting USB 2.0 - on five-pin DIN, as well as full key micro tuning capability with MIDI Tuning Standard (MTS support), it is fair to say that Kyra is, indeed, one of the most powerful music synthesizers ever built... a sensational synthesizer with a spectacular specification, set to take performances and compositions to higher states of musicality and sound design!
Virtual analog synthesis
All sound features can be used simultaneously for each part
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