ASM Hydrasynth 49-key Polyphonic Wave Morphing Synthesizer


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  • Regular price $1,299.00





*IN STOCK - READY TO SHIP



An Expression Powerhouse For Sound Designers and Musicians Alike - The ASM Hydrasynth 49-Key Digital Polyphonic Wave Morphing Synthesizer


The HYDRASYNTH keyboard is both a sound designer's dream synth as well as a performing musician's ideal. The sound engine is designed for maximum flexibility. At the same time, AMS designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has ASM's proprietary Polytouch“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“íËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“ŠËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç“‚ËÇ£“Ñ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4-octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“ŠËÇ£“»ËÇ£“º“ï“çËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’ú“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£“æ Today or ever.

Specifications


Sound Path

  • 8 Voice Advanced Wavetable synthesis
  • 2 Wavemorphing Oscillators
    • 219 single cycle waveforms
    • User wavetables - 8 user-selectable “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’ú“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇ£’íwavelist“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“íËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•á“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š per osc to build user wavetables
    • Every osc and patch can have its own user wavetable
    • WaveScan parameter for modulating through wavetables.
    • Keytracking “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í 0-200%
    • +/- 3 octave tuning range
  • 1 fixed Wave OSC
    • 219 single cycle waveforms
    • +/- 3 octave tuning range
    • Keytracking “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í 0-200%
  • Dual Mutators per oscillator
    • FM “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í Linear FM, Selectable Modulator source, Built-in Sine & Triangle, OSC1, OSC2, OSC3, Mutators A, B, C, D, Noise gen, Ring Mod, External Mod 1&2 input.
    • WaveStack “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í Generates 5 detuned waves from input source. Detune amount.
    • Pulse Width Mod “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í Adjust pulse width of ALL waveforms.
    • PWSqueeze “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í Compresses the center section of the waveform. Different type of PWM
    • PW-ASM “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í 8 User adjustable wave squeeze/stretch points.
    • Hard Sync “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í gives that classic sync sweep sound. Selectable Sync input source.
    • Harmonic Sweep “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í will scan through the harmonics of the incoming sound.
    • Dry/Wet mix to blend the original OSC source.
  • Noise Generator
    • White, Pink, Brown noise sources
  • Ring modulator
    • Selectable input sources - OSC1, OSC2, OSC3, Noise, All Mutator outputs, External Mod ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹ËÇ£“»ËÇ£“º“ï“çËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•á“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“ŠËÇ£“»ËÇ£“º“ï“çËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£“æ in.
    • Depth control
  • Sound source mixer
    • Mix the following sources - OSC1, OSC2, OSC3, Noise, and Ring Mod.
    • Panning for each source
    • Filter routing mix
    • Solos for each source (solo status is saved in the patch)
  • Two Filters, Series or parallel routing
  • Filter 1
    • 12 & 24db modern ladder (compensated)
    • 12 & 24db vintage ladder (uncompensated)
    • Threeler HP, LP
    • MS20 HP, LP
    • Low Pass Gate
    • Vocal filter
    • Multiple vowel order parameter
    • Formant parameter
  • Filter 2 - Continuously Variable Lowpass-Band pass-High pass (Oberheim SEM style)

Modulation Specifications

  • 5x Low-Frequency Oscillators
    • 10 static waves - Sine, triangle, Square, Saw up, Saw down, S&H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%.
    • Step Wave “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í 8 steps that the user can set (like a step sequencer), Step smoothing, Step glide
    • Clock sync
    • Starting phase
    • Start delay
    • Fade in
    • Master output gain
    • Trigger modes “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í mono, poly, free, one shot mode
  • 5x Envelope Generators
    • 6 stage DAHDSR envelopes - Delay, Attack, Hold, Decay, Sustain, Release
    • Slope curves for ADR stages - Variable from full exponential to full logarithmic
    • Tempo or Time option for setting length of each stage.
    • Looping of AHD stages for creating LFO types of modulations.
    • Trigger modes “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í Legato, Reset, Retrigger
  • Matrix modulation
    • 32 slots for source-destination mod routings with amount
    • Modulation matrix slots can be mod destinations
    • 8x Macro knobs and buttons - Each macro knobs allows positive and negative of up to 8 destination controls
  • Arpeggiator
    • Arp parameters can be modulation destinations.
    • Modes - Up, down, up/down, Up&down, random, note order, chord, pattern
    • Octave, Range - 1,2,3,4
    • Play order - Up, down, up/down
    • Swing
    • Gate time
    • Ratchet “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í repeats notes
    • Chance “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í sets how often the ratchet takes place.

Effect Specifications

  • Pre-effects “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í before Delay and Reverb
    • Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
  • Delay
    • Tape, Ping-pong, Analog, PitchShift, Reverse, Filter delay
  • Reverb
    • Hall, Room, Plate, Cloud
  • Post-effects “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í after Delay and Reverb
    • Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
Physical Specifications

  • Metal Chassis - Steel top and bottom, Aluminum side panels
  • PolyTouchËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹ËÇ£“»ËÇ£“º“ï“çËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•á“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º Keybed - Polyphonic aftertouch, Velocity
  • 4 octave (67 cm, 26.4“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“ŠËÇ£“»ËÇ£“º“ï“çËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç“ûËÇÖ•Æ) Ribbon controller
    • Pitch bend mode
    • CC control mode “ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í modulation source
    • Theremin mode - triggers envelopes and plays pitch, Continuous pitch or choose from multiple scales
  • 5 banks of 128 patch memories
  • CV gate input and outputs - Supports multiple CV/GATE standards
  • CV
    • 1v per octave +/-5V
    • 1V per octave 0-10V
    • Hz to Volts +/-5V
    • Hz to Volts 0-10V
  • Gates
    • V-trig, S-trig
    • 3V, 5V, 10V
  • Mod In/Out range
    • +/5V, 0-10V, 0-5V, 0-1V
  • Clock in and out
    • 1PPS, 2PPQ, 24PPQ, 48 PPQ
    • Clock Voltage - 3v, 5V, 10V
  • MIDI IN/OUT/THRU - Voice overflow mode for expanding voices with another Hydrasynth
    • Expression pedal input
    • Sustain pedal input
    • Polarity sensing input“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£Ëlj“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’ŠËÇ£“»ËÇ£“º“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇ£“‹“ï“ç’úËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇ£ËÇÜ“ï“ç’úËÇ£’í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“û“ï“çËÇ“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç“ûËÇ£•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“ûËÇó“í“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š“ï“ç’úËÇ£ËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç“‚ËÇ£“¡ËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•áËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’ú“ï“çËÇËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖËljËÇ£“»ËÇ£“ºËÇÖ“Š“ï“ç’úËÇÖ•á“ï“ç’úËÇ£’‹“ï“ç’úËÇ£’Š
  • DC input jack
  • USB port - Supports USB MIDI In/Out
  • Dimensions: 80 x 35 x 10.3 cm (31.5 x 13.78 x 4.05 inches)
  • Weight: 10kg (22.05 lbs)

Manufacturer: asm
Model: HSKB
Warranty: See manufacturer website for details
SKU: I627850-3