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Get Unmatched Performance With The Mackie 1402VLZ4 Compact Analog Mixer
Each generation of Mackie VLZ mixers benefits from a reinvestment in performanceÂ like. Transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is aÂ MackieÂ mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.
HIGH HEADROOM / LOW NOISE
TheÂ MackieÂ VLZ4 design goal was simple: everyÂ MackieÂ VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like theÂ custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.
The performance of Mackieâ€™s Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. TheÂ Mackie 1402VLZ4 features 6 Onyx mic preamps.
BUILT LIKE A TANK
Mackie VLZ mixers are truly â€œBuilt-Like-A-Tank.â€ From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. TheÂ MackieÂ VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
- 14-channel mixer featuring Mackie signature high-headroom/low-noise design
- 6 boutique-quality Onyx mic preamps
- Ultra-wide 60dB gain range
- 128.5 dB dynamic range
- +22 dBu line input handling
- Extended frequency response
- Distortion under 0.0007% (20Hz - 50kHz)
- Improved RF rejection perfect for broadcast applications
- Phantom power for condenser mics
- 14 high-headroom line inputs with +4/-10 operation control
- 3-band EQ (80Hz, 2.5kHz, 12kHz)
- 18 dB/oct 75Hz low-cut filter on mic input channels
- 2 aux sends, level, pan and PFL solo on each channel
- 60mm long-wearing log-taper faders
- 2 stereo returns for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary control resist dust and grime
- "Built-Like-A-Tank" rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient "at-a-glance" visual feedback
- Rack-mountable design using optional rack ear kit
- Multi-voltage power supply for worldwide use
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