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Yamaha DM5 Series: DM7 Power in a More Portable Console

Overhead view of an engineer working across the faders and touchscreens of a Yamaha DM5 digital mixing console

Yamaha’s new DM5 Series brings the processing engine behind the DM7 into two mid-sized consoles, and your show files can come with you.

The 60-channel DM5 and 48-channel DM5C combine a more portable design with shared DM7 firmware, editor software, and show-file compatibility. For engineers moving between venues and different-sized productions, that means more than a familiar-looking surface. It means keeping the workflow you know without rebuilding your show every time the console changes.

A Familiar Workflow, Sized for the Job

The DM5 Series sits between the portability of Yamaha’s DM3 and the power and expandability of the DM7. It’s built for the places where those priorities meet: live venues, houses of worship, schools, corporate events, broadcast, and theater.

Yamaha DM5 dual-bay digital mixing console viewed from the front left

Both models offer 96 kHz operation, 16 FX Rack slots, 64 × 64 Dante connectivity, and an 18 × 18 USB-to-host interface. That gives you onboard processing and connectivity to build around, whether the console is headed into a permanent installation or traveling from show to show.

Primary and secondary Dante ports, network jack, and USB to host connector on the rear of a Yamaha DM5 Rear panel of a Yamaha DM5 showing rows of XLR analog inputs and outputs with cabling attached

The shared DM7 foundation is especially useful for teams working across multiple systems. Preparing a show, moving between consoles, and scaling a production all become more straightforward when the software and operating approach stay consistent.

An engineer adjusting a channel EQ curve on the touchscreen of a Yamaha DM5

DM5 or DM5C?

The choice comes down to how much mixing capacity, local connectivity, and hands-on control you need.

Feature DM5 DM5C
Input mixing channels 60 48
Console layout Dual bay Single bay
Motorized faders 26 13
Onboard analog inputs 32 16
Onboard analog outputs 16 16
Main touchscreens Two 13.3-inch displays One 13.3-inch display

The DM5 gives you more channels, more local inputs, and two bays of faders and screens to work across. The DM5C keeps things compact, with a single-bay layout designed with portable systems and fly-packs in mind.

Both feature a tilting display assembly with four viewing angles. Anyone who has tried to read a console screen with the sun hitting it will appreciate that detail: you can adjust the display to help reduce glare rather than working around a fixed screen position.

A hand tilting the display assembly on a Yamaha DM5 to a steeper viewing angle Rear three-quarter view of a Yamaha DM5 with the display assembly tilted upright

More Processing When You Need It

For engineers looking to go further, the optional PY-DSP expansion card unlocks 32 premium rack slots on the DM5 Series, bringing access to processing derived from Yamaha’s flagship RIVAGE PM platform.

That includes tools such as the Rupert Neve Designs Portico 5033 EQ, Portico 5043 Compressor, and Dynamic EQ. The card also supports the DM7 Series, where it adds another 32 premium rack slots.

Close-up of the illuminated user defined knobs and Touch and Turn control alongside the display on a Yamaha DM5

These are optional additions, not requirements for getting to work. The consoles have their own onboard processing, while PY-DSP provides a path to a deeper selection of premium tools. Separate software licenses also offer broadcast and theater feature sets, along with an optional Dugan Automix package for the DM5 Series.

New Dante I/O to Build Around

Alongside the consoles, Yamaha is expanding its RUio utility I/O family with three options that complement existing Rio and RPio stage boxes.

RUio1608SB-D is a portable Dante stage box with 16 inputs and eight outputs. Designed for live sound and temporary events, it can sit on the floor or mount in a rack with an optional kit.

Yamaha RUio1608SB-D portable Dante stage box, front view with 16 XLR inputs and eight XLR outputs

RUio16FLX-D takes a more configurable approach. Its 16 channels use Phoenix connectors, with each channel pair selectable for analog input, analog output, or AES/EBU output. That flexibility makes it particularly useful for installations, business audio, and Yamaha DME systems.

Yamaha RUio16FLX-D single-rack-space utility I/O unit, front view

Rear of the Yamaha RUio16FLX-D showing the green Phoenix connector blocks, primary and secondary Dante ports, and power inlet

RUio0804-D puts eight inputs and four outputs into a compact rackmount unit. It’s an option for adding connections where you need them, handling talkback, or supplementing the primary I/O in a larger Dante system.

Yamaha RUio0804-D single-rack-space Dante I/O unit, front view with eight inputs and four outputs

Let’s Put the Right System Together

Top-down view of the Yamaha DM5 control surface showing both fader bays and both touchscreens

The exciting part of the DM5 Series is how much of the larger-console workflow Yamaha has brought into a more manageable format. You get a choice of control surfaces, a shared foundation with DM7, and options to expand your processing and connectivity as the job calls for it.

Shop the DM5 Series at Chuck Levin's

The RUio16FLX-D and the RUio0804-D haven't reached the site yet.

Give us a call or text at (301) 946-8808 to chat with our Pro Audio team about the DM5, DM5C, and the right I/O for your setup. We’ll help you work through the options, pricing, and availability.

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